Adolf Hohenstein - Fiammiferi senza fosforo - 1905
Eugène Atget “Au Tambour, 63 quai de la Tournelle” 1908
Wojciech Weiss “Poppy”, 1902-1903
Roman Kochanowski, sketch, c.1900
Franciszek Żmurko, study, c. 1900
Ferdynand Ruszczyc, 1904-1905
Ferdynand Ruszczyc “Old House”, 1903
Fernand Khnopff, Marguerite Khnopff, The artist’s sister, study for ”The Secret”, 1902
(via rrosehobart)
Fernand Khnopff - The Abandoned City (1904)
Fernand Khnopff (1858-1921) began his career when Realism was the most advanced style in Belgium, and he always maintained a commitment to verisimilitude in the details of his works. However, Realism was not enough for him: he insisted that art must suggest the essential mystery behind the visible facts and facades. It was as a painter of symbols and allegories that Khnopff became famous.
Mikalojus Konstantinas Čiurlionis “The Sun is Passing - The Sign of Capricorn”, c.1906









