THE MIRROR IMAGES

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Fernand Khnopff -  Memories, 1889, Musee Royale des Beaux-Arts, Brussels.

A mirror image has commonly symbolized art because both are mimetic, representing the sensible world.  In light of Khnopff’s neo-Platonic belief that human passions are elevated through  their abstract expression, it may be that in With Gregoire Leroy. My Heart Cries For Other Times the artist intends us to question whether the reflection is an illusion or an emblem of the soul.  There is more to this image than narcissism just as there is more to contemplating the past than nostalgia.
via THE BLUE LANTERN
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Fernand Khnopff -  Memories, 1889, Musee Royale des Beaux-Arts, Brussels.

A mirror image has commonly symbolized art because both are mimetic, representing the sensible world.  In light of Khnopff’s neo-Platonic belief that human passions are elevated through  their abstract expression, it may be that in With Gregoire Leroy. My Heart Cries For Other Times the artist intends us to question whether the reflection is an illusion or an emblem of the soul.  There is more to this image than narcissism just as there is more to contemplating the past than nostalgia.

via THE BLUE LANTERN

    • #Fernand Khnopff
    • #Khnopff
    • #mirror
    • #art
    • #illusion
    • #emblem
  • 1 year ago
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Fernand Khnopff - With Josephin Peladan.  Pallentes Radere Mores, 1888, Cheramy et cie, Paris.
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Fernand Khnopff - With Josephin Peladan.  Pallentes Radere Mores, 1888, Cheramy et cie, Paris.

    • #Fernand Khnopff
    • #Khnopff
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Edmond Pelseneer -  plan for L’Atelier Khnopff. Brussels, 1900, Archive of modern Architecture, Brussels.
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Edmond Pelseneer -  plan for L’Atelier Khnopff. Brussels, 1900, Archive of modern Architecture, Brussels.

    • #Edmond Pelseneer
    • #Fernand Khnopff
    • #Khnopff
    • #architecture
    • #architectural plan
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Fernand Khnopff - After Gustave Flaubert. The Temptation of St. Anthony, 1883, private collection.
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Fernand Khnopff - After Gustave Flaubert. The Temptation of St. Anthony, 1883, private collection.

    • #Fernand Khnopff
    • #Khnopff
    • #art
    • #painting
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Photograph of Marguerite Freson-Khnopff, 1890, Royal Museum of Fine Arts, Brussels.
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Photograph of Marguerite Freson-Khnopff, 1890, Royal Museum of Fine Arts, Brussels.

    • #Marguerite Freson Khnopff
    • #Marguerite Khnopff
    • #Khnopff
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defrag:

Fernand Khnopff, Marguerite Khnopff, The artist’s sister, study for ”The Secret”, 1902
: cameraobscura.skynetblogs.be
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defrag:

Fernand Khnopff, Marguerite Khnopff, The artist’s sister, study for ”The Secret”, 1902

: cameraobscura.skynetblogs.be

(via rrosehobart)

    • #Fernand Khnopff
    • #Khnopff
    • #photography
    • #study
    • #1900s
  • 1 year ago > rrosehobart
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low-country:

Fernand Khnopff - The Abandoned City (1904)

Fernand Khnopff (1858-1921) began his career when Realism was the most advanced style in Belgium, and he always maintained a commitment to verisimilitude in the details of his works. However, Realism was not enough for him: he insisted that art must suggest the essential mystery behind the visible facts and facades. It was as a painter of symbols and allegories that Khnopff became famous.
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low-country:

Fernand Khnopff - The Abandoned City (1904)

Fernand Khnopff (1858-1921) began his career when Realism was the most advanced style in Belgium, and he always maintained a commitment to verisimilitude in the details of his works. However, Realism was not enough for him: he insisted that art must suggest the essential mystery behind the visible facts and facades. It was as a painter of symbols and allegories that Khnopff became famous.

    • #Khnopff
    • #Fernand Khnopff
    • #art
    • #realism
    • #drawing
    • #pastel
    • #pencil
    • #1900s
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thosewedontspeakof:

Fernand Khnopff and Joséphin Péladan, Istar (1888)
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thosewedontspeakof:

Fernand Khnopff and Joséphin Péladan, Istar (1888)

(via thosewedontspeakof-deactivated2)

    • #Fernand Khnopff
    • #Khnopff
    • #symbolism
    • #art
  • 1 year ago > thosewedontspeakof-deactivated2
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nostalgica:

Fernand Khnopff
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nostalgica:

Fernand Khnopff

    • #Fernand Khnopff
    • #Khnopff
    • #symbolism
    • #art
    • #painting
  • 1 year ago > nostalgica
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About

[ RANDOM POST ]
[ ARCHIVE ]

25, Female, Poland.
I love what causes feelings
or makes perfect [non]sense.

* Music is perhaps
the last word of art,
just as death
is the last word of life. *

[ MY PHOTOGRAPHS ]

some tags:
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artists I adore:
Zdzisław BEKSIŃSKI,
Stanisław SZUKALSKI,
Franciszek STAROWIEYSKI,
Wiesław WAŁKUSKI,
Daniel PIELUCHA,
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